Here is Roderick with a drawing of himself as the Ingres' portrait of Napoleon I on His Imperial Throne, painted in 1806.
David did his self-portrait after Eugene Delacroix's portrait of Baron Schwiter painted in 1827.
Here is Roderick with a drawing of himself as the Ingres' portrait of Napoleon I on His Imperial Throne, painted in 1806.
David did his self-portrait after Eugene Delacroix's portrait of Baron Schwiter painted in 1827.We just had our last art club session which once again ended with the now famous "Edible Art" project. It was a great season of Art Club and I hope all members will keep up their sketchbook assignments over the summer.
French, b. 1908, d. 2004


Migrant Mother (1936), Dorothea Lange
For many, this picture of Florence Owens Thompson (age 32) represents the Great Depression. She was the mother of 7 and she struggled to survive with her kids catching birds and picking fruits. Dorothea Lange took the picture after 

Highlights from the Photography Collection: Faces and Figures
Nov 9, 2010 – July 3, 2011
This exhibition of about 50 photographs explores representations of the portrait and the nude over the last century. Central to all the selected photographs is a concern for identity. In some cases subjects are treated with specificity as unique individuals while in other cases identity is addressed in more general terms through idealized perfection or association with broad cultural groups. The installation includes portraits of renowned figures such as Pablo Picasso, James Joyce and Mikhail Baryshnikov as well as portraits of anonymous individuals such as Irving Penn’s image of two Nepalese women and Edward Curtis’s image of a Native American woman. For the latter examples, details of costume and dress provide clues to the sitters’ identities. The exhibition also addresses concepts of the nude and the naked by juxtaposing idealized images of the human form (such as Ruth Bernhard’s Classic Torso) with images of figures in various stages of undress by Steven Meisel and Anne Noggle. These themes are further explored in portraits and nudes by famed photographer Andy Warhol. The exhibition is made possible by the Sidney Knight Endowment.